Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.73
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.73
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v4.c29.s5.73
The next chapter (LXVII) deals with the plumb-lines which are drawn through the body of an image in order to find out accurately the perpendicular and the horizontal measurement of and the distance between different parts of the body. The construction of the boards between which the image is to be placed and of the plummet is described in detail. As many as eleven perpendicular plumb-lines are referred to. The subject has become all the more complicated as the three postures, the erect, sitting, and recumbent, and the four poses, namely, the equipoise, slight flexion, three flexions and excessive flexions, are also taken into consideration in ascertaining the measures along and between the eleven plumb-lines. Thus the variation of the measures of a figure is carefully considered in each case.