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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v5.c33.s12.20

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v5.c33.s12.20

Language
English

v5.c33.s12.20

| Plate no. | Figure | Description |
| CXLVII | Śiva | With the consort Pārvatī on the left, measured in the large ten *tāla*, the consort being in the middle ten *tāla*, made in erect, (seated or recumbent posture), on two lotus seats, in the equipoise (single flexion, three flexion or excessive flexion) pose; stationary (or movable) position; made with gold, silver, copper, stone, wood, stucco, grit, glass, or terra-cotta; in high relief, (middle relief, or low relief); furnished with a single head but a third eye on the forehead, the left side of the neck being marked with the *kālakūṭa* poison, bearing two ears, two legs, four arms, two hands in the boon-giving and the refuge-offering attitudes, the attributes in the other two hands being an antelope and a tabor, wearing a crown marked with the Ganges and the crescent moon, and the matted hair of an ascetic, the tiger-skin and a waist cloth, the sacred thread, ear-rings and various ornaments and reddish complexion. |