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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.1645

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.1645

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v7.c47.1645

**KSHEPAṆA**—*Lit.* projection. A drip-moulding; the door-frame, a moulding above the plinth in pedestal, generally placed between a dado and cyma, a fillet and cyma, or a petal and fillet. Etymologically it would indicate a moulding like a spout to throw off water, and in this office it would resemble the corona (kapota), i.e. the square projection having a broad vertical face and the soffit or under-portion recessed so as to form a drip which prevents water from running down the building. In bases it would resemble a cornice (*cf.* *M.*, xiv, 370) which is used as the term for any crowning projection. In this sense it is also found in the western architecture (*cf.* Fletcher, *Hist. of Arch.*, figs. 191, 192, 197, 198). In Indian architecture it also implies a door-frame (*M.*, xxxix, 105–110).

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