Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.2657
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.2657
- Language
- English
v7.c47.2657
(21) ‘Who (Śrī-Rājendra-Sola-Devar, A. D. 1034)—having sent (many ships in the midst of the bellowing sea) and having captured Śangirāma-viśaiyot-tuṅgapannam, the king of Kidāram, along with his victorious fine elephants which had (well formed) frontal globes and resembled the impetuous sea—took the large heap of treasure which he had rightfully amassed, the Vichchādira-toraṇam at the war-gate of the enemy’s extensive city, the wicket-door set with jewels of great splendour, and the door set with large jewels.’—(*Ep. Carnat.*, Vol. IX, Channapatna Taluq, nos. 82, 83 ; Roman Text, p. 185, line 5 from the bottom upwards ; Transl., 149.)