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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.3160

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.3160

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English

v7.c47.3160

Compare Vishṇu-dharmottara (a supplement to the *Vishṇu-Purāṇa*), Part III, Chap. XLI, where *paintings* are divided into four classes—Satya, Vainika, Nāgara and Miśra. (Cf. S. Kramrisch: *A Treatise on Indian Painting and Image-making*, 1928, pp. 8, 51; A. K. Coomaraswamy's article, *Rūpam*, January, 1929.)

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