Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.7148
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v7.c47.7148
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v7.c47.7148
(34) ‘Hail! There is no excommunication (balligavārte=bahishkāra, Mr. Venkaṭ Raṅgo Kaṭṭi) of the skilful people (biṇṇa-ṇigala, those who are conversant with painting or architecture, Sanderson's *Canarese Dictionary*) of the world who have attained the favour (of the god), having given the paṭṭa, (a patent, royal grant or order), called mūme-perjeṟepu (and) the name of Tribhuvanāchārya to Śrī-Guṇḍa, whose (observance of the) established rules of conduct was unimpeded, the Sūtra-dhāri, who made the temple of the queen of Vikramāditya (II, of the Western Chalukyas), the favourite of the world; (and there is) immunity (parihāra) to the others who united themselves with the guilty man (doshika).'