A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.50

c4.s1.50

Translation.—I have adopted this simple method of locating the swaras in the interests of those who have not a good swara-dnyana. The exact places of the swaras, have to be fixed with the help of स्वरसंवादिता ज्ञान. It must always be remembered that the swaras in my shadja grama (shuddha scale) must stand in samvadi relationship. He means to say that the swaras in the 'uttarang' of the scale must be the samvadis or the fifths of those in the purvanga.)