A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries
Critical analysis of Rāgataraṅgiṇī, Hṛdayakautuka, Saṅgītapārijāta, Rāgavibodha, Sadrāgacandrodaya, Rāgamañjarī, Anūpa works, Svaramelakalānidhi, Caturdaṇḍīprakāśikā etc.
- Language
- English
- Author
- V. N. Bhatkhande
- Extent
- 798 passages, 36,152 words
- Text
- complete digital text
- Source
- archive.org · Posthumous edition (DLI scan; foreword speaks of 'the late Prof. Bhatkhande'); scan on archive.org, OCR… · Public domain in India: every author died before 1966 (V. N. Bhatkhande †1936)
Contents
- c1 Front matter — 12 parts
- c2 Foreword — 93 parts
- c3 Raga Tarangini — 37 parts
- c4 Hrdaya Koutuka and Hrdaya Prakasha — 14 parts
- c5 The Sangeeta Parijata — 93 parts
- c6 Sadraga — Chandrodaya — 32 parts
- c7 Raga Manjari — 22 parts
- c8 Rasa-Kaumudi — 5 parts
- c9 Anupa Sangita Ratnakara — 10 parts
- c10 Anupa-Ankusha — 17 parts
- c11 Swara-Mela-Kalanidhi — 65 parts
- c12 Raga-Vibodha — 67 parts
- c13 Chatur Dandi Prakasika — 35 parts
- c14 Sangeeta Saramrita — 31 parts
- c15 Raga Lakshanam — 39 parts