A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c6.s4.12
A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c6.s4.12
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c6.s4.12
He says he deliberately omits these two frets because these frets coming too close to those of 'laghu-sa' and 'laghu-ma' would make play inconvenient. If, however, there are any ragas which require those two notes, those well versed in the shastra of music would allow these two notes to be represented by the higher notes laghu-sa and laghu-ma. The difference of one sruti will not make much of a difference in the general effect of the raga.