Indian Architecture (Buddhist and Hindu Periods) c28.41

c28.41

Such are the bare outlines of the principal components of this stupendous undertaking, which the superb craftsmanship of the artisans at that period almost succeeded in completing. But, as if the powers of good resented the perpetuation of the evil it portrays, it now lies a colossal ruin, all that remains moderately intact being the *jagamohan* or assembly hall, as a record of the character of the whole (Plate LXXXIX, Fig. 1). In its damaged condition this temple recalls the torso of some famous classical statue, shorn of its limbs, battered and broken, half buried in the sand, but still identifiable as a noble work of art. The portion that is preserved, the assembly hall, although considerably injured, is a notable architectural production. At first sight presenting an appearance of infinite elaboration, reduced to its lowest terms it resolves itself into a comparatively simple formation as it consists of two main elements, a *bada* or cubical portion, and its pyramidal superstructure or roof (*pida*). The surfaces of the *bada* are in recessed chases, so that its plan is not a plain square, and on the same principle the shape of the roof, although it has the form of a pyramid, its outlines are interrupted by angles, projections, and curves, presenting a scheme of varied complexity. The proportions of this edifice are correspondingly simple, as the main cornice marks the centre of the structure, the width of the *bada*, or cubical part, is twice its own height, and the entire width of the building is equal to its altitude. Other dimensions are similarly uninvolved. There are three doorways, one in the middle of each of its free sides, each approached by a flight of steps, but the eastern or principal entrance is a noble conception. Leading up to the main portal is a wide stairway, flanked by the rearing and straining horses, three on one side and four on the other, the whole composition an inspiration, splendidly realized.