Indian Architecture (Buddhist and Hindu Periods) c29.14

c29.14

The main group of temples at Khajuraho, consisting of at least a dozen buildings, is that to the north-west of the site, where they are arranged in two lines, with both Vaishnavite and Saivite shrines standing side by side. In some instances the dedication is a matter of doubt, while the designation of a few may have been subsequently changed, Each of these two lines of structures consists of one large temple, with others slightly smaller alongside, and, for the purposes of study, each has been given a serial number.¹ The largest of the entire series is the Siva temple of Kandariya Mahadeo (No. 3) the first of the most westerly line, and its dimensions are 109 feet in length, 60 feet in width externally, with a height of 116½ feet above the ground or 88 feet above its own floor. (Plate XCI) Its plan is that of a double-armed cross, as not only is it provided with transepts to the mandapa, but it has another pair with windows to give light to the processional passage, while there is also a similar aperture for illuminating this corridor in the rear The compartments of the interior are six in number consisting of the portico, main hall, transepts, vestibule, sanctum, and ambulatory. These arrangements affect very considerably the shape and architectural appearance of the exterior, which is an effective combination of lines and masses, bold projections being balanced by receding bays, the whole being held together by a well-devised system of horizontal passages of carving. Standing on a broad terrace with ample space all round, the base is formed of a plinth thirteen feet high sloped rapidly upwards by means of a succession of prominent stringcourses. This sloping substructure is surmounted by a kind of dado supporting the massive inclined seat-backs or *asana*, above which appear the window openings divided up by pillars, with the wide eave, or *chajja*, overhanging the whole. Over each of these eaves rises an elaborate gable formation blending itself in the array of turrets leading up to the roof. Apart from the masterly composition of these major parts there is over the whole of this building a vibrant sensibility produced by the rich and colourful texture of its gallery of sculptured forms.