Indian Architecture (Buddhist and Hindu Periods) c29.20

c29.20

divergence from this type is in the almost complete elimination of any voids in their elevation, or anything resembling the window openings which are such pronounced features in the temples of the other groups. The result is that the absence of these striking elements causes the external appearance of the Jain temples to be somewhat monotonous, a condition which the sculptor has tried his best to relieve by elaborating the parallel friezes of statuary. These rows of figures, having now no architectural interruptions, dominate the entire scheme being continuous right round the structure, with portions projected like buttresses at intervals in an attempt at variety. These projections are carved into the shape of pillared niches enshrining images of special sanctity, with the occasional introduction of a kind of miniature balcony having sloping balustrades (*asana*) behind which is a group of small figures, a conceit more fanciful than architectural. The most complete example of the Jain group is the temple of Jinanath (No. 25), an oblong building measuring externally 60 feet long and 30 feet in breadth, with a projected portion at each end, that on the east forming the entrance porch. One oblong hall also forms the interior, within which are two compartments, comprising a pillared portico in front, and an enclosed cella beyond, leaving a wide processional passage all round the entire hall. Except that it is laid out in this manner to suit the requirements of the Jain ritual, the architectural treatment of this temple follows much the same principles as the Hindu examples.