Indian Architecture (Buddhist and Hindu Periods) c42.27

c42.27

Such is the Shwe Dagon Pagoda concisely described as an example of the building art, but no account however brief Nepal Facade at Patan of this monument would be complete without a reference to the complex array of structures which cluster around its base, the entire scene presenting a picture of sheer orientalism unequalled in any other Asiatic structural creation. Crowding each side of the processional circuit are groups of tall pointed shrines, their superstructures imitating in miniature the central pile, and each treated as a pattern of tawdry glitter and fretted ornament A close study, however, reveals among this confusion of enrichment, here and there specimens of lovely handiwork in wood and metal, often painted and gilt, but the appearance as a whole is one of over-wrought exuberance, nevertheless not unattractive on account of its barbaric effectiveness. Surrounded by this medley of glass-mosaic, intricate carving, and gilded metal, the spectator can only stand amazed at the fervency of the people whose one aim is to show their devotion by embellishing in such a manner this supreme material manifestation of their religious belief.