Mediaeval Sinhalese Art c35.123

c35.123

Sei-ichi Taki, 87. Seḷa lihiṇiya, bird, Gracula religiosa, 89, 230: S.L. Sandēśaya, fifteenth century poem by Toṭagomuva, 169. Sema ḷella, weaver’s sword, 234. Sembuva, small brass or copper water vessel, 203. Serugolaya Hitaranayide, a pupil of Devaragampola Silvaṭenna, drew original of Fig. 17. Senaka Paṇḍit, in Silava Jataka, at Degaldoruva, 168. Seṅkaḍagala, Seṅkaḍapura=Kandy, 73, 77. Śerak-kalaya, brass stand for eating rice, from a leaf dish, 32, 105, 108, 203; Pls. XLIV., 1, XLV., 6. Śerapēndiya, (? corruption of śarabha+ dhyanam), 83, 130, 177, 182, 204; Figs. 12, 95, A; Pls. XI., 1, 3, XIII., 9, XL., 8, 9, XLI., 1, 3, XLVI., 2, 3, 9, XLVII., 7, 8, LII., 2. Serial repetition, motif in design, 109. Service Tenures Commission Report, Ceylon, 27, 37, 45, 74, 125, 265. Sēsata, ceremonial fan for royal or religious use, consisting of an embroidered cloth disc, or talipot leaf decorated with mica, with images of sun, moon, etc., mounted on a lacquered staff, 24, 120, 237; Pl. I., XXII., XLI., 2, LII., 3. Seven Sacred Rivers of India, 74, 88; Fig. 69. Śevul Sandēśaya, the ‘Cock’s Message,’ sixteenth century Sinhalese poem, 172. Ṣaḍvargaya, a Sanskrit work on auspicious measurements, used by Sinhalese craftsmen, 154. Sharks, 230. Shawls, 234, 239. Shawl pattern, cone, 103; Fig. 51. Shellac, substitute for stick lac, 167. Shuttle (naḍava), v. ‘weaving’ and ‘ivory.’ Siam, Kirti Śrī’s embassy to, 12, 59, 60, 213: parallels to Sinhalese art, 101, 103, 164; Figs. 14, 30, 45, 46, 47. Sickle (de-keṭṭa), 194; Fig. 101; Pl. XLV., 13-14. Siddhattha, a priest in the time of Duṭṭha Gāmaṇī, 4: first incumbent at Degaldoruva, 168.