The Music and Musical Instruments of Southern India and the Deccan c8.38

c8.38

As a rule the voice is not employed in the performance of an alâpa; but if used at all it is either in unison with the instrument or else accompanied by a simple running accompaniment upon the open strings. Occasionally the voice is relieved by the instruments taking up the melody, varied with soft imitations in the same râga. In fact, so much is left to the taste and fancy of the musician, that it is impossible to lay down any definite rules for the constitution of an alâpa; hence, as may be imagined, in movements of this sort, there is a kind of wild charm which seems to carry with it a plaintive refrain that lingers on the mind of the listener long after the music has ceased. Perhaps the only composer who appears to have caught the entire spirit of these peculiar improvisations is Chopin; though, as far as we know, his acquaintance with Oriental music must have been limited.