The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c13.13

c13.13

CHAVANNES, E., caves of Long-men and Ta-t’ong-fu described by, 115, 167 n. 1. — Chinese statue interpreted by, L. — photograph furnished by, XXI. — Shaḍḍanta-jātaka translated from Chinese texts by, 188 and n. 2, 190. Chignon, Brahmanic, figured 97, 175 and n. 2, XXV-VI (Gandhāra), XXXIV, XXXVII (Boro-Budur). Child figured 139-40 (Gaul), 141-2 (Gandhāra). Children, goddess of. See Hāritī. China, Buddha figure not original in, 115. — Hāritī figure in, 286-7. CHRIST figure based on Lateran Sophocles 136. — — related to that of Buddha 135-6, XVI. Christian art, Hellenistic origin of, 290-1. — — juxtaposition of incidents in, 83. — — symbols employed by, in Catacombs 82. Çibi-jātaka figured 230-1, XXXVI (Boro-Budur). — localized in Gandhāra, 123. ÇIKHANDIN, son of Rudrāyaṇa, figured 235-7 (Boro-Budur). ÇIKHIN symbolized by Puṇḍarīka, 104 (Sânchî). CINCÂ, calumny of, at Çrâvastî 183. Çirsha tree symbolizing Krakucchanda 104 (Sânchî). Civilization of India represented on Sânchî sculptures 80. Cloud figured XLIV (Chandi Mendut). Cluny museum, signacula in the, 11. Cock, Buddha’s birth as. See Kukkuṭa-jātaka. Coins, Indo-Greek, described 125-8, figured XIV. — punch-marked, discussed by D. B. Spooner 14, 21 n. 2. Columns, Persepolitan or Corinthian, figured XXV (Gandhāra). — supported by Atlantes XXVI (Gandhāra).