The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c13.23

c13.23

Genius, flying, figured xxiii (Magadha and Kuḍā), xxvii-viii (Gandhāra), See also Yaksha. Getty, Henry H., photographs communicated by, xlix. Girl, Jade, figured l (China). Goat figured 87 (Sānchī). Gods, Fifteen, figured xl (Boro-Budur). — Thirty-three, Buddha’s preaching to the, 19, 163 n. 1. — who dispose of the creations of themselves and others, 92. Goddess figured xxxix (Boro-Budur). Gold, shower of, figured 228 (Barhut). Goldsmith figured 246 (Boro-Budur). Goloubew, V., photograph communicated by, iv. Gopā. See Yaçodā. Gosanze, Japanese name of Trailokyavijaya (q v.), 268. Greek coins 126-8, figured xiv. — influence on art at Sānchī 82. — invasion of India and influence in Gandhāra 125 8. — source of Christian and late Buddhist art 290 1. Gṛidhraḳūṭa, Saddharmapuṇḍarika associated with the, 149 n. 2. Griffiths, J., Shaḍdanta-jātaka fresco described by, 195. Griffons figured 94 (Sānchī). Groneman, J., Guide to Boro-Budur by, 215. — Maitrakanyaka-jātaka verified at Boro Budur by, 215 and n. 2, 243-4. Grouping of sculptured scenes 77. Grünwedel, A, Buddhist heavens detected in sculpture by, 71. — frescoes of Murtuk reproduced by, 160 n. 2. — Maitrakanyaka figures compared by, 244 n. 1. — photograph communicated by, xviii. — sculptures at Sānchī identified by, 71, 76. Guardians of sanctuary. See Dvārapāla. Guides, Mess of the, Gandhāra sculptures in, 119, xi.