Pramāṇa · Search · About · API

The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c13.6

The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c13.6

Language
English

c13.6

Barhut stūpa, sculptures of, followed a living tradition 58. Bark-garments, Brahmanical, figured on the gate of Sânchî 97. BARTH, A., scene at Boro-Budur identified by, 269 n. Barygaza. See Bhiruka. Baskets figured at Barhut, 50. Bas-reliefs, composition of, at Sânchî, compared with that of altar scenes of Middle Ages, 83. — passim. Batavia Museum, sculptures in the, 266-9. BEAL, Rev. S., conversion of Kâçyapas identified by, 76 (Sânchî). — view of, concerning miraculous trees, 72. Beasts. See Animals. Bells figured XLIV (Chandi Mendut). Belt of jewelry, worn by female, figured 89 (Sânchî) Benares, Great Miracle figured at, 181-2. — king of, see Ruru-jâtaka. — sculptures from, IV. — signacula from, 12. — See also Mrigadâva, Sârnâth. Besnagar, Açoka's romance at, 79. Besom. See Rajoharana. Bestiaria, Unicorn story in, 48. Bhadra-ghaṭa. See Vase, Lottery. Bhallâṭiya-jâtaka. See Kinnara-jâtaka. Bharhut. See Barhut. Bharukaccha. See Bhiruka. Bhilsa, Sânchî stûpa near, 63. BHIRU, Minister of Rudrâyaṇa, figured 238 (Boro-Budur). Bhiruka, foundation of, 240. Bhisa-jâtaka narrated 45-6. Bhôpal, Begum of, offers gate of Sânchî stûpa to France 62. BHRIKUṬI-TÂRÂ, image of, in Batavia Museum 267. Bignonia flower figured 86 (Sânchî). — Suaveolens See Pâṭalî. BIMBISÂRA, visit of, to Buddha, figured 77, 101 (Sânchî). — visit of Buddha to, figured 102 (Amarâvatî).