The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c13.9

c13.9

BUDDHA figure declared impossible in texts 18. — — embodies ideals of Olympian and Mahāpurusha 134-5. — — Greek characteristics of the, 119-120. — — Greek origin of the, Essay IV. — — Indo-Greek type of, 7. — — oldest descriptions of the, 119. — — omitted in scenes 4. — — omitted at Barhut 117. — — Padmāsana posture of, 235 n. — — painted on cloth 234. — — proved by Kanishka casket to belong to the 1st Century B. C. 129-130. — — related to that of Christ 135-6, xvi. — — said to be a portrait 82-3, 259. — — tonsure omitted from the, 132-3. — — uniformity of, 112-3, 114. — figured 116 n. 1 (Turfan, Khotan), 128 (on coin of 1st century A.D), 172 n. 1 (Takht-i-Bahai), 254-62 (Boro-Budur), 263 (Chandi Mendut), xi (Gandhāra), xv (Kanishka casket), xvi (Gandhāra), xx (Ajaṇṭā), xl, xliii (Boro-Budur). — footmarks of, iii (Amarāvatī). — Four Promenades of, hinted at 107 (Sānchī); figured xxxi (Boro-Budur). — Gandhāra said to have been visited by, 122. — Great Departure of. See Mahābhinishkramaṇa. — hair cut off by, jewels abandoned by, 132. — Hāritī converted by, 122. — horse of. See Kaṇṭhaka. — life of, in successive births 35. — life of, 113. — Mahābhinishkramaṇa of. See Mahābhinishkramaṇa. — monkey’s offering to, at Vaiśālī 150.