The Music of Hindostan c15.s1.47

c15.s1.47

The position of the anudātta above the udātta in (ii) is more difficult. Perhaps we are justified in calling Ga (in ii) udātta on the analogy of (i) and (iii). This would fulfil all that is required of the pracaya and anudātta, that they should be somewhere below the svarita (and the upper udātta). The lower udātta then appears as the other terminal of the tetrachord, with the svarita above it.