The Music of Hindostan c21.30

c21.30

Pachtikos, 141, 156. pada, song, 286. pāda, quarter-verse, 193, 286. pallavi, section of song, 86, 281. pañcama, fifth note of secular scale, 142. fifth note of Sāman scale, 260. of time, 203. Pañcatantra, fables about the fifth cent., 82. parand, drum-variant, 230, 231. partials, see upper partials. participant, 178. parvan, what can be sung in one breath, 200, 251, 255, 276. passing notes, see substantive. Pater, Renaissance, 340. pentatonic scales, 122, 123, 126 and note, 135; Ex. 353. perfect consonance, see saṃvāditva. Petrie, 126 note. phonograph, 17, 50, 90. phonographed tunes, Ex. 42, 43, 103, 154–7, 330, 333, 334, 356, 357, 359, 360, 364, 365. See pp. 48 note and 348. phrygian (doric) mode, 178, 276–8. pianoforte, 16, 18. picotta, water-raising apparatus, 21, 22. Pierre Loti’s L’Inde, 10–14. plagal tunes, rare, 48. Plain-song and Sāman, 250, 255, 275 note. pluta, prolate (prosody), 200, 255, 256. Plutarch, 130, 173 note. Polak, Herr, 164. ‘popular’ music, 152, 340, 341. povāḍa, chivalric song, Maratha country, 46, 300. pracaya, ‘drone’ note of Sāman, 247, 258, 265. prakṛti, substantive (notes), 273. pramāṇa, indicative, determining (śruti), viz. the comma of Didymus, 112 seq. prastāra, changes (as in bell-ringing), 155. prastāva, introduction, 253. prathama, note of Sāman scale, 257 seq. pratihāra, section of Sāman, 254. prati-madhyama, ‘false’ madhyama, 119, 133, 139. pratyutkrama, acciaccatura, 275. prosody, 196, 203. Ptolemy, 140. pūrvārcika of the Sāmaveda, 250. puṣpasūtra, treatise, 258, 261, 274. pyknon, see Greek. Pythagoras, see limma.