Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.113
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.113
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c10.113
Confining ourselves to the chapter of *rāgādhyāya*, we find Harivallabha, following Hanumāna, describing six *rāgas* and thirty *rāgiṇīs*. He first indicates the note-structure of the melodies and then gives a visual picture of the same in very rhythmic and melliflous verses of *Kavittas*, generally