Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.116
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.116
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c10.116
(3) “*Harivallabha bhākhā raceyo sava saṅgīta ke sār| Tāme sampūrṇa bhayo nṛtya vicār apār*”|| ‘Harivallabha has composed in vernacular the essence of the principles of music, of which the incomparable dissertation on dancing forms the final, or terminating portion.’