Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.169
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.169
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c10.169
have, therefore, frequently quoted from this text for the purpose of affording comparison with the earliest and the latest poetical efforts on this topic, though the quotations have been made under the erroneous assumption that they are works of Bhānu Kavi, the author of *Kāvya-prabhākar*. As typical examples of the qualities of his verses one may particularly study the *savaiyās* on Toḍī (Plate XIX) and Kakubha (Plate XXVIII) which are marked by remarkable depth of feeling and also by considerable technical skill.