Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.22

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.22

Language: English

c10.22

(2) Though the Sangīta-sāra-saṃgraha by Sir S. M. Tagore is a very late anthology, its collection is based on numerous authoritative texts, e.g. Pañcama Saṃhitā (Nārada), Sangīta-ratnamālā, Sangīta-Dāmodara, Sangīta-Kaumudi, Sangīta - Nārāyaṇa, Sangīta Pārijāta. And most of these texts are not readily available some being in Mss. S. M. Tagore’s anthology has been used in this work and cited on the descriptive plates.

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Linked texts (4)

Saṅgītanārāyaṇa — Gajapati Vīrasrī Nārāyaṇadeva 1675, Sanskrit
Saṅgītasamayasāra — Pārśvadeva, Sanskrit
Saṅgītapārijāta — Ahobilasūri 1600, Sanskrit
Saṅgītadāmodara — Śubhaṅkara, Sanskrit