Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.31

c8.31

(1) *“Yathā kāle samārabdham gitam bhavati rañjakam|* *Atah svarasya niyamād rāge’pi niyamahkṛtaḥ||* *Rāga-taraṅginī,* Deśikāra. Afternoon Melodies .. Vāhulī, Sāraṅga, Jayata-śrī. Sunset Melodies .. Gauḍī, Revaguptī, Śrī-rāga, Kāmod, Ābhirī, Travaṇī, Kalyāṇa, Śuddha-Gauḍa, Devakri, Sālaṅga-nāṭa (?), Karṇāṭa. Evening Melodies .. Kalyāṇa, Śrī-rāga, Guṇa-karī, Kāmbhojī, Gauḍa, Drāviḍa-Gauḍa, Sourāṣṭrī, Chāya-nāṭa, Sāmanta, Pāḍī, Nāda-rāmakriyā, Varālī, Ravaṇa, Jijāvanta (Jhijhint), Hamira-nāṭa, Sāverī, Vihāgaḍa Nocturnal Melodies .. Kedāra. Melodies suitable for all hours¹ .. Mukhārī, Kurañjī, Rāma-kri, Vaṅgāla, Āśāvarī (?), Prathama-mañjarī, Deva-gāndharā, Mālava-śrī, Bhairavī, Saindhavī, Naṭṭa-nārāyaṇa, Hijeja, Śuddha-varāṭī, Deśī, Paraja-Vaṅgāla, Śyāma, Takka, Mālaśrī.