Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.32
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.32
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c8.32
The Śuddha-nāṭa offers some difficulties. In the *Sadrāga-candrodaya* (p. 18) it is assigned to the middle of the day² while in the *Rāgamālā* (p. 22), it is assigned to the evening.³ Likewise, Bhūpālī, considered as an evening melody in current practice is assigned in the *Sadrāga-candrodaya* to the morning.⁴ Similarly, Bhairavī regarded as a morning melody (*prabhāte*) in the *Rāgamālā* is assigned to all hours in the *Sadrāga-candrodaya*.⁵