Maurya and Shunga Art c18.56

c18.56

55. Coomaraswamy, *op. cit.*, p. 20, fig. 13.
56. Coomaraswamy, *op. cit.* p. 20–21, figs. 16, 23, 57, 60.
57. Kramrisch, *J. I. S. O. A.*. Gordon, *J. I. S. O. A.* Vols. VII and XI respectively.
58. *Ibid.* Kramrisch.
59. Coomaraswamy, *op. cit.* fig. 41.
60. Fergusson, *History of Indian and Eastern Architecture*, I. pp. 130-31 ; Brown, *Indian Architecture : Buddhist and Hindu* pp. 12–13.
61. Fergusson, *op. cit.* p. 130.
62. *Ibid*, p. 132 ; Brown, *op. cit.* p. 13.
63. Fergusson, *op. cit.* p. 131–32 ; Brown, *op. cit.* p. 13.
64. *Ibid.*
65. Kramrisch, *Indian Sculpture*, p. 11–12,
66. Bachhofer, *op. cit.* plate 14.
67. Fergusson, *op. cit.* chaps. IV–VI : Brown, *op. cit.* chaps II and III : Smith, *History of Fine Art in India & Ceylon*, p. 21–23.
68. *J. A. S. B.*, 1910, pp. 259 ff.
69. Raichaudhuri, *P. H. A. I.*, 4th edn. pp. 294–301.
70. *Divyavadana*, pp. 371 and 407 ff.
71. Separate Rock Edict, Dhauli Text. Barua, B. M., *Inscriptions of Asoka*, II.
72. *P. H. A. I.* pp. 243–44.
73. *Ibid*, p. 304, f. n. 1.
74. *Ibid*, f. n. 2.
75. Barua, B. M. *op. cit.* p. 179. Here as elsewhere I am following Barua's translation and interpretation.
76. Barua, *op. cit.* p. 182.
77. *Ibid*, p. 187. and f. n. 5.
78. *Ibid*, pp. 224–26.
79. *Ibid*, pp. 249–250.
80. *Ibid*, pp. 250–52.
81. *Ibid*, p. 214.
82. Barua, *Barhut*, II, p. 9–11.
83. *Ibid*, p. 2.
84. *Ibid*, pp. 16–17.