Vastu-shastra (Vol. I: Hindu Science of Architecture; Vol. II: Hindu Canons of Iconography and Painting) v1.c55.40

v1.c55.40

“This Rājaveśma, akin to the abode of the gods, if built in accordance with the injunction of the Śāstra by the king, he becomes competent to sway his suzerainty on the whole earth whose girdle is the seven oceans, after he has overcome his enemies by dint of his prowess”. We are familiar with Amarakośa’s diction—प्रासादो देवभूभुजाम्’ ‘this statement echoes the structural correspondence between temple and palace and reflects character common to both. The splendour and grandeur of each makes it a thing of beauty and of marvel. Upon places of highest eminence rises the Prāsāda (temple or palace) in monumental calm and dignity. The subtleties of its measurements, the relative proportions of its parts and graciousness of its ornaments are of most delicate description. It is the supreme expression of the noblest efforts and the best skill of artists. It exhibits the care by which the great builders obtain fine harmonies and please the minds of men. In the world of men, King is looked upon as the central figure and in ancient India, was supposed to represent in his person the various divine elements. By virtue of such a position, he commands dignitories and attendants and receives from his people, willing tributes. With the aid of accumulated wealth and the best skill available in the land, is constructed his palace. Round the hall of the King are constructed accessory structures to meet the demand of royalty”—Mallaya.