A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c5.21
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c5.21
- Language
- English
c5.21
| | PAGE | | PAGE |
| Fig. 246. Peacocks, by Jagannāth | 472 | Fig. 253. Sketch portrait of Hakīm-Masīh-uz-zamān, by Mīr Hāshim | 482 |
| Pl. CXVIII. The Banquet, by Tiriyyā, *cir.* a. d. 1600 | 473 | Pl. CXXIV. Portraits of Sher Muhammad Nawāl, Jahāngīr, and Shahjahān, by Muhammad Nādir of Samarkand | 483 |
| Fig. 247. Wild Buffalo, by Sarwan, *cir.* a. d. 1600 | 474 | CXXV. Dilpasand, charger of Dārā Shukoh, by Manohar | 485 |
| 248. Acacia, by Sarwan, *cir.* a. d. 1600 | 475 | CXXVI. Cat; anonymous | 486 |
| 249. Cock, by Mansūr | 475 | CXXVII. Lady and sunlight effect, by Rāo Gobīnd Singh (*reproduced in colour by H. Stone & Son, Ltd.*) | to face 486 |
| 250. Quail, by Mansūr | 476 | CXXVIII. Marble building, &c., by Muhammad Fakīrullah Khān (*reproduced in colour by H. Stone & Son, Ltd.*) | back of Pl. CXXVII |
| Pl. CXIX. Jahāngīr as Prince Salīm; anonymous (*reproduced in colour by H. Stone & Son, Ltd.*) | to face 476 | CXXIX. Reading the Koran; anonymous | 487 |
| CXX. Brown bird; anonymous | 477 | CXXX. The Emperor Aurangzēb reading; anonymous | 489 |
| Fig. 251. Brown hawk | 478 | CXXXI. Nawāb Shāyista Khān, by Ustād Gyān Chand | 491 |
| Pl. CXXI. Wild duck; anonymous (*reproduced in colour by H. Stone & Son, Ltd.*) | to face 478 | CXXXII. Muhsin Khan, by Mīr Muhammad | 493 |
| CXXII. Akbar leaning on his sword; anonymous | 479 | | |
| Fig. 252. Camels, *grisaille* | 480 | | |
| Pl. CXXIII. Reception of Persian embassy; Jahāngīr in centre of lower panel; anonymous | 481 | | |