Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v4.c17.75
Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v4.c17.75
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v4.c17.75
No. 3. This inscription is engraved on the pedestal of the topmost Buddha figure, standing, facing south, on the right side of the façade. It is fragmentary, a large portion of it, on the right side, having been broken away. The extant portion has the beginnings of the three lines—the inscription evidently consisted of three lines only. It has been previously edited by Bhagwanlal Indraji and James Burgess.⁵ It is a donative record like the foregoing one.