Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v4.c17.82
Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v4.c17.82
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v4.c17.82
⁴ The gap between *pu* and what follows is caused by the subscript *m* of the syllable *rmmo* in line 1 above. What follows *pu* is obviously *nyaṁ* of which only a part of the subscript *ya* now remains.