The Colas c36.72

c36.72

Fig. 57. (Ibid.) Śiva as Caṇḍēśānugrahamūrti, in the same temple. Śiva seated in the *sukhāsana* posture is tying the garland on to the head of Caṇḍēśa shown kneeling and in *añjali* pose. Pārvatī is seated beside in the *utkuṭikāsana* with her hand in the *āhūyavarada* pose. The group is reputed for its beautiful modelling, fine plastic sense, and interesting decorative details. (Cf. more beautiful figure from Tiruvālīśvaram fig. 51 noticed above). The fine bas-relief group with beautiful rhythm and dynamic action on the left obviously depicts the scene of Caṇḍēśa attempting to cut off the legs of his father who prevented his son from worshipping Śiva, in his own way. This sculpture is interesting because it confirms the story of Caṇḍeśa. Its rendering is effective and forcible.