The Early History of the Deccan (Parts I–XI) v2.c16.s2.22
The Early History of the Deccan (Parts I–XI) v2.c16.s2.22
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v2.c16.s2.22
The features of the prince are Āryan, refined and elegant, but the lady who stands close to him and is probably his wife Yaśodharā has a swarthy complexion. The idea of the painter in making this difference in the complexions of Siddhārtha and Yaśodharā was apparently that Buddhism in its teaching made no distinction of colour and that the fair complexion was therefore as attractive as the dark one. Variety of racial types is further indicated in the figures of the guard and the maid in attendance, the former apparently being an Abyssinian and the latter a Persian. The maid seems to be a lady of distinction, for she is clad in a long, full-sleeved coat of blue silk or velvet, and has a crown on her head. The guard is also dressed in a long coat with tight sleeves, and has an ornamental band round his head, above which his