The Early History of the Deccan (Parts I–XI) v2.c16.s2.92
The Early History of the Deccan (Parts I–XI) v2.c16.s2.92
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v2.c16.s2.92
up to the knee of the left leg can easily be made out, and suggest that the dancer had poised herself on one foot, in readiness for a sinuous undulating movement. The head of the dancer is charmingly posed in this painting.