Studies in the History of Sanskrit Poetics v2.c85.68

v2.c85.68

*praśaṃsā* similarly goes under *anyokti*. All figures like *rasavat*, *preyas*, *ūrjasvin* and *samāhita* that have a touch of *rasa* and *bhāva* are omitted as being comprehended (so also Mammaṭa thinks) in the class of poetry called *guṇībhūta-vyaṅgya*. Hemacandra does not deal with *parikara*, *yathāsaṃkhya*, *bhāvika*, *udātta*, *āśīḥ* and *pratyanīka* for reasons explained by himself at pp. 292-4. Hemacandra, however, defines some figures somewhat broadly so as to include other recognised figures in them, e. g., his *dīpaka* would include *tulyayogitā*, his *parāvṛtti* would contain the *paryāya* and *parivṛtti* of Mammaṭa, his *nidraśana* would comprehend *prativastūpamā*, *dṛṣṭānta* and *nidarśanā* of other writers.