Studies in the History of Sanskrit Poetics v2.c85.89

v2.c85.89

in the wider sense. Dhanañjaya does the same, but he recognises also that some them come under *rasa* and *bhāva*. Viśvanātha, therefore, includes them under the *guṇa*, *alaṃkāra*, *bhāva*, and *saṃdhi*, but deals with them only in connexion with the drama. There is practically no need for them in later Poetics from which they ultimately disappear, their function having been assigned to other recognised elements of poetry.