The Sanskrit Drama in its Origin, Development, Theory & Practice c12.s2.5
The Sanskrit Drama in its Origin, Development, Theory & Practice c12.s2.5
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c12.s2.5
In Act III the scene changes to the park, whither comes Mālavikā at the bidding of Dhāriṇī to make the Açoka blossom, according to the ancient belief, by the touch of her foot. The king hidden with the Vidūṣaka behind a thicket watches her, but so also does Irāvatī, the younger of Agnimitra’s queens, who is suspicious and jealous of any rival in the king’s love. The king overhears Mālavikā’s conversation with her friend, and realizes that his love is shared; he comes forth and embraces her, but Irāvatī springs out of her hiding-place and insults the king. Dhāriṇī has Mālavikā confined to prevent any further development of the intrigue. The Vidūṣaka, however, proves equal to the occasion with the aid of Kauçikī; he declares himself bitten by a snake; the only remedy proves to require the use of a stone in the queen’s ring, which is accorded for that purpose, but employed for the more useful end of securing the release of Mālavikā, and the meeting of the lovers, which Irāvatī, who has excellent grounds for her vigilance, again disturbs. The king’s embarrassment is fortunately mitigated by the necessity of his going to the rescue of the little princess Vasulakṣmī, whom a monkey has frightened. Act V cuts the knot by the advent of two unexpected pieces of news; envoys come bearing the report of victory over the prince of Vidarbha and conveying captives; two young girls introduced before the queen as singers recognize both Kauçikī and their princess Mālavikā among the queen’s attendants, and Kauçikī explains her silence on the princess's identity by obedience to a prophecy. Further, Puṣyamitra, Agnimitra's father, sends tidings of victory from the north; the son of Dhāriṇī, Vasumitra, has defeated the Yavanas on the bank of the Indus, while guarding the sacrificial horse, which by ancient law is let loose to roam for a year unfettered before a king can perform rightfully the horse sacrifice, which marks him as emperor. Dhāriṇī already owes Mālavikā a guerdon for her service in causing the Aṣoka plant to blossom; delighted by the news of her son's success, she gladly gives Agnimitra authority to marry Mālavikā, Irāvatī begs her pardon, and all ends in happiness.