The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s3.12
The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s3.12
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c20.s3.12
² N. xix. 16, 35 ff.; DR. i. 22 ff.; SD. 330 ff. Hali (DR., p. 11 n.) suggests *nibarhaṇa* as correct (N. xix. 36), wrongly. Cf. R. iii. 26-74. The precise parallelism of the Sandhis and Avasthās in the *Bālarāmāyaṇa* is given in R. iii. 23-5.
Linked texts (5)
- Nāṭyaśāstra — Bharata, Sanskrit
- Daśarūpaka — Dhanañjaya (Daśarūpaka), Sanskrit
- Sāhityadarpaṇa — Viśvanātha Kavirāja, Sanskrit
- Nāṭakalakṣaṇaratnakośa — Sāgaranandin, Sanskrit
- Bālarāmāyaṇa — Rājaśekhara, Sanskrit