The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s3.13
The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s3.13
- Language
- English
c20.s3.13
¹ Abhinavagupta (*Dhvanyāloka*, p. 140) frankly treats the Avasthās as the Sandhis as parts of the story, and distinguishes the Arthaprakṛtis. DR. is responsible for the doctrine that each Sandhi rests on an Avasthā and an Arthaprakṛti, accepted in *Pratāparudrīya*, iii. 3; GGA. 1913, pp. 306-8; R. iii. 26 f.
Linked texts (4)
- Pratāparudrīya (Pratāparudrayaśobhūṣaṇa) — Vidyānātha, Sanskrit
- Dhvanyāloka — Ānandavardhana, Sanskrit
- Daśarūpaka — Dhanañjaya (Daśarūpaka), Sanskrit
- Nāṭakalakṣaṇaratnakośa — Sāgaranandin, Sanskrit