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The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s5.38

The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s5.38

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c20.s5.38

and it is fully recognized by Vidyādhara, Viçvanātha, and Jagan-nātha, though Dhanañjaya barely admits it.¹ The interrelations of the sentiments, their possible combinations, their harmonies and conflicts, are detailed at length.