The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s5.39
The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s5.39
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c20.s5.39
¹ See Dhanika, DR. iv. 33; SD. 240; *Ekāvalī*, pp. 96 ff. Other sentiments are sometimes recognized, such as friendship, faith, and devotion; cf. *Rasagaṅgādhara*, p. 45. Bhoja admits love only. An example of calm is the *Prabodhacandrodaya*. Cf. Jacobi, ZDMG. lvi. 395; R., p. 171.
Cites (5)
- Daśarūpaka — Dhanañjaya (Daśarūpaka), Sanskrit
- Sāhityadarpaṇa — Viśvanātha Kavirāja, Sanskrit
- Rasagaṅgādhara — Jagannātha Paṇḍitarāja 1630, Sanskrit
- Ekāvalī — Vidyādhara, Sanskrit
- Prabodhacandrodaya — Kṛṣṇamiśra, Sanskrit