The Sanskrit Drama in its Origin, Development, Theory & Practice c23.18

c23.18

Hair, how worn on the stage, 366, 367. Hāla, or Sātavāhana, 74, 76; refers to drama, 45, n. 1. Hamartia, Aristotelian doctrine of, 279, n. 1. Hammīra, a Mahomedan invader, 248, 249, 250. Haṃsavatī, a queen of Duḥṣanta, 158, 160. Hanumant, 63, 111, 113, 190, 227, 245, 246, 266, 269. Happy ending, necessary in drama, 38, n. 2, 140, 278, 354. Hara, the god, 240, 241. Haradatta, on Mahābhāṣya, 34. Harem life, effect on drama, 65, 280. Haribrahmadeva, of Kaypur, 270. Hāricandra, a poet, 91. Harihara, author of the Bhartṛharinirveda, 248. Harihara, brother of Mādhava, 268. Hariçcandra, tale of, 240. Harisiṃha, of Simraon, 261. Harlequin, origin of the character of the, 39. Harṣa, dramatist, of Kanyakubja (A.D. 606-48), 42, 85, 103, 155, 170-81, 204, 239, 256, 278, 284, 303, 305, 311, 325, 355, n. 3, 368. Harṣa, Candella, king of Jejākabhukti, 239. Harshness, as an allegorical character, 255. Hastigiri, lord of, 268. Haughty, hero, 305, 306, 307, 347; enemy of the hero, 307, 308. Hemacandra, Jain author, 225, 243, 254, 255, 258, 260, 273, 275. Hemakūṭa, place of abode of Mārica, 154. Hemāṅgada, a Vidyādhara, 229. Hemāṅgī, a heroine, 263. Herakleidai, of Euripides, known in India, 59. Heresy, as a character, 252. Heretics, parodied in the Prahasana, 348; excluded from spectacles, 370. Hero, in Sanskrit drama, 305-7, 323; should be on stage during each Act, 140, 301; appropriate to several types of drama, 345-51. Heroic comedy, see Nāṭaka and Nāṭikā. Heroic (vīra) sentiment, 320, 323, 346;