The Sanskrit Drama in its Origin, Development, Theory & Practice c23.19

c23.19

metre and style appropriate to, 331, 332. Heroine, in New Comedy, 62; in Sanskrit drama, 308-10; in different types of play, 346-8, 350, 351. Heroism, 165, 168, 177, 195, 211, 278. Hertel, Prof. J., theory of the origin of the drama, 16-18. Hetaera drama, Buddhist, 84, 85. Hetaerae, 62, 133, 313, 334, 335, 346; form of names of, 313. Hiḍimbā, wife of Bhīma, 95, 96, 106, 109, 213. Hillebrandt, Prof. A., view of origin of drama, 25, 35, 36, n. 1, 39, 49, 50, 51, 52, 53. Hindi, vernacular drama in, 243. Hindu revival under the Guptas, 60. Hippolytos, of Euripides, 279, n. 1. Historical drama, 248-51. Hiuen Tsang, 170, 284. Hoernle, Dr. A. F. R., theory as to identity of Vikramāditya, 144. Holi festival, 41. Horrible, descriptions of the, 192, 223. Horror, sentiment of, 319, 320, 324, 325; metre and style appropriate to, 331, 332. Horse sacrifice, ritual abuse in, 25; of Agnimitra and Samudragupta, 149. Hultzsch, Prof. E., on date of Murāri, 225, 259. Human sacrifice, as motif, 259. Humorous speech (vyāhāra), 329. Humour, 136, 159, 160, 177, 192, 211. Hūṇas, 144, 145, 168. Hunters, speech of, 347. Hunting, miseries of, 152, 160. Huth, G., views on date of Kālidāsa, 145, n. 1; on order of his poems, 167.