The Sanskrit Drama in its Origin, Development, Theory & Practice c23.5

c23.5

Bābhravya, chamberlain of Vatsa, 171, 173. Bāhlika, or Bālhika, a people, colour of, 366. Bakchai, of Euripides, 59. Baktria, Greek rule in, 57. Baladeva, 48. Bāla-Vālmiki, sobriquet of Murāri, 225. Bali, binding of, performed in a dramatic manner, 32, 36, n. 1. Ballet, 48, 275, 351. Bāṇa, the Asura, 242, 243. Bāṇa, writer (A.D. 629), 29, 76, 91, 171, 182, n. 3, 366. Bāṇa, see Vāmana Bhaṭṭa Bāṇa. Bandhura, a go-between, 262. Barbaras, speech of, 336; excluded from theatres, 370. Barygaza, Bharukacchā, as port through which Greek influence came, 60. Battles, in the drama, 347, 351. Baudhāyana, censures actors, 363. Bearer of fans, where placed in the auditorium, 370. Benediction, see Nāndī and Bharatavākya. Bengal, Sanskrit used in, 287. Bengālī recension, of the Vikramorvaçī, 151; the Çakuntalā, 154, 155; the Veṇīsaṃhāra, 219. Bernhardt, Sarah, 322, n. 2. Bhādānakas, use of Apabhraṃça by, 287. Bhadravati, elephant, 108. Bhāgurāyaṇa, in the Mudrārākṣasa, 205, 235. Bhariyāvānanda, a magician, 234. Bhāmaha, writer on poetics, 102. Bhānudatta, views on sentiment, 319. Bhānumatī, queen of Duryodhana, 213, 215, 219, 300. Bharata, alleged author of the Nāṭyaçāstra, 12, 41, 150, 191, 343, 344, 349, 362, 364. Bharata, brother of Rāma, 189, 224.