The Sanskrit Drama in its Origin, Development, Theory & Practice c23.6

c23.6

Bharata, son of Duḥṣanta, 154, 157. Bhārata tribe, 30. Bhāravi, poet, 265, 284. Bharhut sculptures, dance represented on, 350, n. 2. Bhartṛhari, poet, 366; celebrated in the Bhartṛharinirveda, 248. Bhartṛmeṇtha, 232. Bhāsa, dramatist, 42, 51, 66, 70, 73, 74, 87, 91–126, 147, 161, 185, 187, n. 2, 243, 270, 286, 292; 300, 301, n. 4, 305, 311, 335, 336, 341, 342, 346, 347, 353, 354, 371, n. 2. Bhāskaradatta, a Mahārāja, 204. Bhāskara Kavi, author of the Ummatta-rāghava, 268. Bhāṭ, reciters, 30. Bhaṭṭa Gopāla, grandfather of Bhavabhūti, 186. Bhaṭṭa Lollaṭa, doctrine of sentiment, 316. Bhaṭṭa Nārāyaṇa, author of the Veṇīsaṃhāra, 83, 212–19. Bhaṭṭanatha Svamin, on date of Murāri, 225. Bhaṭṭa Nāyaka, writer on poetics, 291, 317, 318, 320, 321. Bhavabhūti, dramatist, 42, 139, 161, 186–203, 209, 217, 225, 226, 227, 232, 239, 247, 257, 271, 281, 284, 297, 301, 311, 343, n. 1, 352, 353, 364. Bhīma, a Pāṇḍava, 95, 96, 97, 109, 213, 214, 215, 216, 218, 266, 304, 329, 340. Bhīmadeva II, the Cālukya, 256. Bhīmaṭa, author of Svapnadaçānana, 239. Bhīmeçvara, procession of the god, 248. Bhīṣma, preceptor of the Kauravas, 97. Bhoja (11th cent.), writer on poetics (JRAS. 1923, p. 545 ff.), 143, 325, n. 1, 331. Bhujaṅgaçekhara, a Viṭa, 263, 264. Bhūrivasu, a minister, 187. Bhūas, honoured in the preliminaries of the drama, 340. Bhuvanapāla, minister of Saṃgrāmasiṃha, 249. Bidyāpati Ṭhākur, Maithilī dramatist, 243. Bilhaṇa, author of the Karṇasundarī, 256. Bimbisāra, king of Magadha, 43. Bloch, Th., on the Greek origin of the Indian theatre, 67. Bourgeois Comedy, see Prakaraṇa and Prakaraṇikā. Boy, suggested marriage to, as a motif, 234, 235, 256. Bṛhannalā, a eunuch, 335. Brahmā, as creator of the Nāṭyaçāstra, 12, 13, 41. Brahmadeva, of Raypur, 270. Brahmin and hetaera, dialogue of, 39, 73. Brahminical supremacy, in Bhāsa, 110; in Kālidāsa, 160; in Bhavabhūti, 197; theory of life, 281. Brahmin, 81, 276, 277, 281, 282, 283, 306; as the Viḍūṣaka, 310, 311; address of, 314; as hero of the Prakaraṇa, 346; the Ҫilpaka, 351; seats for, 359; colour of, 366; where placed in the auditorium, 370. Brajbhāshā, 41. Breach of alliance (saṃghātya), 327. Buddha, the, 81, 82, 87, 179; statues of the, 58; as a dramatic character, 306. Buddhaiakṣitā, in the Mālatīmādhava, 198. Buddhism, disapproved, 252, 253. Buddhist monk, 135; nun, 193, 335. Buddhists, and the drama, 42, 44, 174, 175, 284; addressed as Bhadanta, 314.