The Sanskrit Drama in its Origin, Development, Theory & Practice c24.29

c24.29

*Pañcarātra* (ed., with trans. by W. G. Urdhwareshe, Indore, 1920), by Bhāsa, 94, 110, 112, 119, 122, 123, 335, 344, n. 2, 346. *Paṭi*, curtain, 61, 389. *Paṭākā*, episode, 297; subjunctures of, 290. *Paṭākāsthānaka*, pro-episode, 303, 304. *Padas*, number of, in prologue, 344. *Padhānasutta*, alleged dramatic character of, 43, n. 1. *Pabbajāsutta*, alleged dramatic character of, 43, n. 1. *Parivartaka*, change of action, 327. *Paruṣā*, style, 333. *Palinata*, in Açvaghoṣa for *pariṇata*, 87. *Pāñcālī*, (puppet) from Pāñcāla, 53. *Pāṭhakas*, repeaters of epic passages, 29. *Pāṇḍavānanda*, 224. *Pāṇḍavābhyudaya*, by VyāsaÇrīrāmadeva, 270. *Pātra*, character, 310. *Pādavākyapramāṇajña*, sense of, 186. *Pāripārçvika*, attendant, 85, 340. *Pārthaparākrama*, by Prahlādana, 83, n. 1, 247, 264, 265, 341, n. 1. *Pārvatīpariṇaya*, by Vāmana Bhaṭṭa Bāṇa, 221, 239, 247, 300. *Pīṭhamarda*, companion of the hero, 308, 334, 351. *Pīṭhamardikā*, confidante of the heroine, 308. *Puṭṭali, Puṭṭalikā*, puppet, 53. *Putraka*, puppet, 269. *Puṭrikā*, puppet, 53. *Pupphā*, in Açvaghoṣa, 87. *Puruva*, in Bhāsa for *pūrva*, 122. *Purusa*, in Bhāsa, 122. *Puṣpagaṇḍikā*, a kind of song, 338. *Puṣpadūsitaka*, a Prakaraṇa, 225, 346. *Puṣpabhūṣita*, a Prakaraṇa, 225, 346. *Puṣpitāgrā*, 123, 142, 166, 203, 212, 219. *Pusta*, stage properties, 365. *Pūrvaraṅga*, preliminaries of drama, 292, 341, 342. *Pṛthivī*, in the *Uttararāmacarita*, 192. *Pṛthvī*, metre, 123, 167, 181, 203, 238. *Pekkhā*, spectacle, 43. *Paiçācī*, a Prākṛit, 102, 287, 335, 336.