The Sanskrit Drama in its Origin, Development, Theory & Practice c24.30

c24.30

*Prakaraṇa*, a type of drama, 82, 102, 187, 225, 248, 257-61, 264, 280, 296, 306, 345, 346, 353. *Prakaraṇikā*, a type of drama, 349, n. 4, 350. *Prakarī*, incident, 297. *Prakhyāta*, traditional (plot), 296. *Pragalbhā*, bold (heroine), 308. *Pracaṇḍapāṇḍava*, see *Bālabhārata*. *Pracchedaka*, a kind of song, 338. *Pratāpa*, valour, as a character, 254. *Pratāparudrakalyāṇa*, by Vidyānātha, 248. *Pratāparudrīya*, by Vidyānātha, 293. *Pratijñāyaugandharāyaṇa*, by Bhāsa, 92, 94, 95, 108, 110, 113, 114, 118, 119, 122, 130, 185, n. 2, 335, n. 3, 371, n. 2. *Pratināyaka*, the enemy of the hero, 307, 308. *Pratimānāṭaka*, by Bhāsa, 94, 100, 101, 105, 117, 124, 125. *Pratimukha*, second juncture, 298, 299. *Pratisīrā*, curtain, 359. *Pratigṛhīta*, irregular form in Açvaghoṣa, 86. *Pratīti*, apprehension of sentiment, 317. *Pratihārī*, door-keeper, 313. *Pratyāyati*, irregular form in Bhāsa, 121. *Prathamakalpa*, misunderstood term, 112, n. 2. *Pratyāhāra*, beat of drum to begin performance, 339. *Pradyumnābhyudaya*, by Ravivarman, 247, 344. *Pradveṣam*, Buddhist irregularity for *pradoṣam*, 86. *Prapañca*, comic dialogue, 328. *Prabuddharauhineya*, by Rāmabhadra Muni, 259, 260. *Prabodha*, knowledge, as a character, 251. *Prabodhacandrodaya*, by Kṛṣṇamiçra, 55, 84, 112, 243, 251-3, 286, 325, n. 1, 344. *Prayatna*, second stage of development of drama, 297. *Prayogātiçaya*, form of prologue, 340. *Prarocanā*, part of preliminaries, 328, 340, 341, 343; pronounced behind the scenes, 351. *Pravṛttaka*, form of prologue, 340. *Praveçaka*, introductory scene, 110, 301, 302. *Prasannarāghava*, by Jayadeva, 109, 151, 226, 244-6, 271. *Prasāda*, clearness, 331. *Prastāvanā*, prologue, 111, 328, 340. *Prasthāna*, a form of drama, 351. *Praharṣiṇī*, metre, 167, 181, 203, 212, 219.