The Sanskrit Drama in its Origin, Development, Theory & Practice c24.32

c24.32

*Bakulavīthī*, 349. *Bambhaṇa*, in Aṣvaghoṣa, 86. *Bādham*, indicating assent, in Bhāsa, 120. *Bālacarita* (ed. and trs. by H. Weller, Leipzig, 1922), by Bhāsa, 38, 94, 98-100, 104, 106, 112, 122, 247. *Bālabhārata*, or *Pracaṇḍapāṇḍava*, by Rājaśekhara, 232, 233. *Bālarāmāyaṇa*, by Rājaśekhara, 52, 151, 232, 268, n 2, 303, 337, 360, 365. *Bālhikā* (*Bāhlīkā*), speech of Khasas, 336, 337. *Bindu*, second element of the plot, 298. *Bibboka*, affected indifference, 310. *Bīja*, first element of the plot, 298. *Bībhatsa*, horror, as a sentiment, 319, 324. *Buddhacarita*, by Aṣvaghoṣa, 80, 81, 82. *Buddhi*, wisdom, 84. *Bṛhatkathā*, by Guṇāḍhya, 52, 102, 133, 174; why written in Paiśācī, 335. *Bhakti*, trust (in Viṣṇu), as a character, 252, 253. *Bhagavant*, as style of address, 314. *Bhagavām*, Buddhist irregularity for *bhagavān*, 86. *Bhaṭṭa*, as style of the king, 314. *Bhaṭṭā*, vocative of *bhartṛ* in Aṣvaghoṣa, 88. *Bhaṭṭidālaka*, style of princes of the blood, 84, and see *Bhartṛdāraka*. *Bhaṭṭinī*, style of the queen, 314. *Bhan*, conjugated in the 9th class, 88. *Bhadradatta*, as style of Ḍakas, 314. *Bhadramukha*, title in dramas, 69, 71, 314. *Bhaya*, terror, as basis of sentiment, 323. *Bhayānaka*, fear, as a sentiment, 319, 324. *Bharatavākya*, at close of the drama, 82, 83, 111, 265.