The Sanskrit Drama in its Origin, Development, Theory & Practice c24.33

c24.33

*Bhartṛdāraka*, style of princes of the blood, 314, and see *Bhaṭṭidālaka*. *Bhartṛdārikā*, style of a princess, 314. *Bhartṛharinirveda*, by Harihara, 248. *Bhavatī* (Prākṛit, *bhodī*), as style of the queen and her ladies, 314. *Bhavām*, as nominative in Aṣvaghoṣa, 88. *Bhāgavata Purāṇa*, 100, 272, 274. *Bhāṇa*, monologue, 263, 264, 280, 296, 311, 344, 348. *Bhāṇikā*, 268, 351. *Bhārata*, a rhapsode or comedian, 29, 30. *Bhāratī*, verbal (manner), 326, 328, 329, 344; in the *Bhāṇa*, 348. *Bhāratīya Nāṭyaśāstra*, see *Nāṭyaśāstra*. *Bhāva*, emotion, 296, 309, 316, 319. *Bhāva*, mode of address, 361. *Bhāvaka*, man of taste, 318, n. 3. *Bhāvakatva*, power of realization, 317. *Bhāsanāṭakacakra*, 92, n. 2. *Bhikkhusaṃyutta*, alleged dramatic character of, 43, n. 1. *Bhīmavikramavyāyoga*, by Mokṣāditya, 266. *Bhuktivāda*, doctrine of the enjoyment of sentiment, 318. *Bhujangaprayāta*, metre, 123. *Bhumjitaye*, in Aṣvaghoṣa, 87. *Bhuvanābhyudaya*, by Caṇkuka, 291. *Bhūtabhāṣā*, use of, 287. *Bhairavānanda*, by Maṇika, 248. *Bhoginī*, concubine, 312. *Bhojakatva*, power of enjoyment, 317. *Bhojacarita*, by Vedāntavāgīśa, 345. *Bhrūkuṅsa*, man playing female part, 36, 362.